josef chladek

on photobooks and books

Lieko Shiga - Rasen Kaigan, Akaaka, 2013, Tokyo

 

Hardcover, signed.

Lieko Shiga's artistic practice has developed out of her visceral sense of unease with the coziness and automation of everyday life. Born in 1980, she has made her work both in Japan and abroad. Her first visit to Miyagi Prefecture was in 2006, when she was taking part in an exhibition at the Sendai Mediatheque. Since then she has returned to Tohoku countless times, each time seeking to foster an intimate relationship with this region. One day, in Kitakama, she discovered a pine forest that faces the Pacific.

Living in Kitakama, Shiga worked as the resident photographer, documenting festivals and other official events while also recording an oral history of the region. These experiences had a major influence on her practice. Shiga created each work as though her photography were inseparable from her own body, as if inhaling Kitakama's air as deeply as possible and then slowly, quietly breathing it out. This was not meant as a conceptual expression of Kitakama's character and individuality, but to reveal traces of physical activities connected with the land. Therefore, what one sees in Shiga's works is not an auteur's "answer" to telling the stories of Kitakama, but the revelation of Shiga's ongoing engagement with the larger questions she asks herself: What is the nature of photography as a medium? And what is the nature of living and expressing oneself on land? Perhaps these questions speak clearly to our society and its many problems.

Order it directly from the publisher.

Pages: 280
Place: Tokyo
Year: 2013
Publisher: Akaaka
Size: 26 x 34 cm (approx.)


Included in "The Photobook: A History Volume III" by Parr/Badger
>> see more Vol. III picks here






 Lieko Shiga - Rasen Kaigan (Front)

Lieko Shiga - Rasen Kaigan (Front)

 Lieko Shiga - Rasen Kaigan (Spine)

Lieko Shiga - Rasen Kaigan (Spine)

 Lieko Shiga - Rasen Kaigan (Back)

Lieko Shiga - Rasen Kaigan (Back)




Sample page 1 for book  Lieko Shiga – Rasen Kaigan

Sample page 1 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

Sample page 2 for book  Lieko Shiga – Rasen Kaigan

Sample page 2 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 3 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 4 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 5 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 9 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 10 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 11 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 12 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 13 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 14 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 15 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 16 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 17 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 18 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Sample page 19 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

Sample page 20 for book  Lieko Shiga – Rasen Kaigan

Sample page 20 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

Sample page 21 for book  Lieko Shiga – Rasen Kaigan

Sample page 21 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

Sample page 22 for book  Lieko Shiga – Rasen Kaigan

Sample page 22 for book " Lieko Shiga – Rasen Kaigan", josefchladek.com

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Hardcover, signed.

Lieko Shiga's artistic practice has developed out of her visceral sense of unease with the coziness and automation of everyday life. Born in 1980, she has made her work both in Japan and abroad. Her first visit to Miyagi Prefecture was in 2006, when she was taking part in an exhibition at the Sendai Mediatheque. Since then she has returned to Tohoku countless times, each time seeking to foster an intimate relationship with this region. One day, in Kitakama, she discovered a pine forest that faces the Pacific.

Living in Kitakama, Shiga worked as the resident photographer, documenting festivals and other official events while also recording an oral history of the region. These experiences had a major influence on her practice. Shiga created each work as though her photography were inseparable from her own body, as if inhaling Kitakama's air as deeply as possible and then slowly, quietly breathing it out. This was not meant as a conceptual expression of Kitakama's character and individuality, but to reveal traces of physical activities connected with the land. Therefore, what one sees in Shiga's works is not an auteur's "answer" to telling the stories of Kitakama, but the revelation of Shiga's ongoing engagement with the larger questions she asks herself: What is the nature of photography as a medium? And what is the nature of living and expressing oneself on land? Perhaps these questions speak clearly to our society and its many problems.

Order it directly from the publisher.

Pages: 280
Place: Tokyo
Year: 2013
Publisher: Akaaka
Size: 26 x 34 cm (approx.)


Included in "The Photobook: A History Volume III" by Parr/Badger
>> see more Vol. III picks here