josef chladek

on photobooks and books

Osma Harvilahti - Polychromatic, Éditions du LIC, 2013, Oslo

 

Hot foil embossed cloth covered hardcover, 460 numbered copies.

Immediately distinguished by their vibrant palettes and inventive compositions, Osma Harvilahti’s photographs stem from a wilful resolve to aestheticise the world to the point of abstraction, with his subjects assessed and portrayed entirely on the level of colour, pattern, and form. 
Rife with visual layering and unusual vantage points, his images are decidedly and deliberately less about representation than about interpretation; regardless of where he aims his lens, the results always tell us far less about his subjects than about how the photographer sees them. The work thus looks to vision not as a means of comprehension, but rather as a process (conscious or not) of selection and exclusion; an idea that reinforces both the fragmentary nature of photography and the utter relativity of perception itself. 

Order at Éditions du LIC.

Pages: 96
Place: Oslo
Year: 2013
Publisher: Éditions du LIC
Size: 21 x 28 cm (approx.)







 Osma Harvilahti - Polychromatic (Front)

Osma Harvilahti - Polychromatic (Front)

 Osma Harvilahti - Polychromatic (Spine)

Osma Harvilahti - Polychromatic (Spine)

 Osma Harvilahti - Polychromatic (Back)

Osma Harvilahti - Polychromatic (Back)




Sample page 1 for book  Osma Harvilahti – Polychromatic

Sample page 1 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 2 for book  Osma Harvilahti – Polychromatic

Sample page 2 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 3 for book  Osma Harvilahti – Polychromatic

Sample page 3 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 4 for book  Osma Harvilahti – Polychromatic

Sample page 4 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 5 for book  Osma Harvilahti – Polychromatic

Sample page 5 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 6 for book  Osma Harvilahti – Polychromatic

Sample page 6 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 7 for book  Osma Harvilahti – Polychromatic

Sample page 7 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 8 for book  Osma Harvilahti – Polychromatic

Sample page 8 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 9 for book  Osma Harvilahti – Polychromatic

Sample page 9 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 10 for book  Osma Harvilahti – Polychromatic

Sample page 10 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 11 for book  Osma Harvilahti – Polychromatic

Sample page 11 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 12 for book  Osma Harvilahti – Polychromatic

Sample page 12 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 13 for book  Osma Harvilahti – Polychromatic

Sample page 13 for book " Osma Harvilahti – Polychromatic", josefchladek.com

Sample page 14 for book  Osma Harvilahti – Polychromatic

Sample page 14 for book " Osma Harvilahti – Polychromatic", josefchladek.com

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Other books by Éditions du LIC (see all)


 

Hot foil embossed cloth covered hardcover, 460 numbered copies.

Immediately distinguished by their vibrant palettes and inventive compositions, Osma Harvilahti’s photographs stem from a wilful resolve to aestheticise the world to the point of abstraction, with his subjects assessed and portrayed entirely on the level of colour, pattern, and form. 
Rife with visual layering and unusual vantage points, his images are decidedly and deliberately less about representation than about interpretation; regardless of where he aims his lens, the results always tell us far less about his subjects than about how the photographer sees them. The work thus looks to vision not as a means of comprehension, but rather as a process (conscious or not) of selection and exclusion; an idea that reinforces both the fragmentary nature of photography and the utter relativity of perception itself. 

Order at Éditions du LIC.

Pages: 96
Place: Oslo
Year: 2013
Publisher: Éditions du LIC
Size: 21 x 28 cm (approx.)