Heinz und Bodo Rasch - Der Stuhl (Front)
Heinz und Bodo Rasch - Der Stuhl (Spine)
Heinz und Bodo Rasch - Der Stuhl (Back)
Sample page 1 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Sample page 2 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Sample page 3 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Sample page 4 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Sample page 5 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Sample page 6 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Sample page 7 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Sample page 8 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Sample page 9 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Sample page 10 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Sample page 11 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Sample page 12 for book "Heinz und Bodo Rasch – Der Stuhl", josefchladek.com
Softcover.
Illustrating works by Breuer, Stam, Mies van der Rohe and Rasch themselves ('Sitzgeist' chair).
The design avant-garde of the 1920s spearheaded a no-frills design movement that was answerable only to the dictates of functional, material, and constructional necessity. Heinz and Bodo Rasch were practitioners of this New Objectivity movement and pioneers of ergonomic furniture design. Their designs centered not on asthetics but on humans and their needs. (From the Vitra reprint)
Pages: 57
Place: Stuttgart
Year: 1928
Publisher: Akadem. Verlag Dr. Fr. Wedekind & Co
Size: 18 x 24 cm (approx.)