josef chladek

on photobooks and books

Satoshi Fujiwara - Code Unknown, Amana, 2015, Tokyo






 Satoshi Fujiwara - Code Unknown (Front)

Satoshi Fujiwara - Code Unknown (Front)

 Satoshi Fujiwara - Code Unknown (Spine)

Satoshi Fujiwara - Code Unknown (Spine)

 Satoshi Fujiwara - Code Unknown (Back)

Satoshi Fujiwara - Code Unknown (Back)


Sample page 1 for book  Satoshi Fujiwara – Code Unknown

Sample page 1 for book " Satoshi Fujiwara – Code Unknown", josefchladek.com

Sample page 2 for book  Satoshi Fujiwara – Code Unknown

Sample page 2 for book " Satoshi Fujiwara – Code Unknown", josefchladek.com

Sample page 3 for book  Satoshi Fujiwara – Code Unknown

Sample page 3 for book " Satoshi Fujiwara – Code Unknown", josefchladek.com

Sample page 4 for book  Satoshi Fujiwara – Code Unknown

Sample page 4 for book " Satoshi Fujiwara – Code Unknown", josefchladek.com

Sample page 5 for book  Satoshi Fujiwara – Code Unknown

Sample page 5 for book " Satoshi Fujiwara – Code Unknown", josefchladek.com

Sample page 6 for book  Satoshi Fujiwara – Code Unknown

Sample page 6 for book " Satoshi Fujiwara – Code Unknown", josefchladek.com

Sample page 7 for book  Satoshi Fujiwara – Code Unknown

Sample page 7 for book " Satoshi Fujiwara – Code Unknown", josefchladek.com

Sample page 8 for book  Satoshi Fujiwara – Code Unknown

Sample page 8 for book " Satoshi Fujiwara – Code Unknown", josefchladek.com

Sample page 9 for book  Satoshi Fujiwara – Code Unknown

Sample page 9 for book " Satoshi Fujiwara – Code Unknown", josefchladek.com

Sample page 10 for book  Satoshi Fujiwara – Code Unknown

Sample page 10 for book " Satoshi Fujiwara – Code Unknown", josefchladek.com

Sample page 11 for book  Satoshi Fujiwara – Code Unknown

Sample page 11 for book " Satoshi Fujiwara – Code Unknown", josefchladek.com

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Pages: 58
Place: Tokyo
Year: 2015
Publisher: Amana
Size: 27 x 36 cm (approx.)

Softcover, unbound with rubber string.

Berlin-based photographer Satoshi Fujiwara's Code Unknown series takes its cue from the film of the same title directed by Michael Haneke, whom Fujiwara admires. In this series, Fujiwara surreptitiously photographed subway passengers and limited the “codes” for reading the resulting images by framing and digitally processing them and making the subjects' identities nearly illegible. Fujiwara’s bold series is also an attempt to resolve the contemporary photographic problem of “portrait rights.”


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