Sofcover in a linen case, booklet with text in French and English, facsimile of the book. 

In 1958, a grant from the British Council enabled him to make an eight-month study of large British cities. (Pictures from the study were published as London in 1998). The same year, Henri-Cartier Bresson, after seeing Larrain’s street scenes and portraits of children, invited the Chilean to Paris, where he stayed and worked for two years.

He got involved with Magnum in 1959 and became a member in 1961, the same year he photographed the poet Pablo Neruda’s house. In 1966 the photographs were published in a book, Una Casa en la arena, accompanied by a text from Neruda.

Before his return to Chile in 1963 and with the encoura gement of the Brazilian poet Tiago de Melo, Larrain published his first book, El rectángulo en la mano, featuring a selection of photographs of children wandering the streets of large cities like Valparaiso and Santiago.

“I started in Valparaiso, roaming the hills night and day. The little girls walking down a staircase was the first magic photo that presented itself... A good photograph is born from a state of grace, and grace manifests itself once we are delivered of conventions, free like a child discovering reality.”

After meeting the Bolivian Oscar Ichazo, Larrain gave up photography to concentrate on his study of mystical Eastern cultures, writing and painting but rarely picking up his camera. He retired from social life to live in solitude and live a life that reflected his newfound philosophical principles. (Bernard Perrine)