josef chladek

on photobooks and books

Clément Chéroux, Joan Fontcuberta, Erik Kessels, Martin Parr and Joachim Schmid (editors) - From here on, Le Govic, 2011, Rencontres d’Arles

 

"Now, we’re a species of editors. We all recycle, clip and cut, remix and upload. We can make images do anything. All we need is an eye, a brain, a camera, a phone, a laptop, a scanner, a point of view. And when we’re not editing, we’re making. We’re making more than ever, because our resources are limitless and the possiblities endless.

We have an internet full of inspiration: The profound, the beautiful, the disturbing, the ridiculous, the trivial, the vernacular and the intimate. We have next-to-nothing cameras that record the lightest light, the darkest dark. This technological potential has creative consequences. It changes our sense of what it means to make. It results in work that feels like play, work that turns old into new, elevates the banal

Work that has a past but feels absolutely present. Work that has a past but feels absolutely present. We want to give this work a new status. Things will be different from here on…"

Newsprint, with works by Adrian Sauer, Andreas Schmidt, Aram Bartholl, Claudia Sola, Constant Dullaart, Corinne Vionnet, Cum, David Crawford, Doug Rickard, Ewoudt Boonstra, Frank Schallmaier, Gilbert Hage, Hans Aarsman, Hermann Zschiegner, James Howard, Jenny Odell, Jens Sundheim, John Haddock, Jon Rafman, Josh Poehlein, Kurt Caviezel, Laurence Aëgerter, Marco Bohr, Martin Crawl, Micheal O’Connell a.k.a Mocksim, Mishka Henner, Monica Haller, Nancy Bean, Pavel Maria Smejkal, Penelope Umbrico, Roy Arden, Shion Sono, The Get Out Clause, Thomas Mailaender, Viktoria Binschtok, Willem Popelier.

Pages: n.n.
Place: Rencontres d’Arles
Year: 2011
Publisher: Le Govic
Size: 30 x 42 cm (approx.)







 Martin et al. (Ed.) Parr - From here on (Front)

Martin et al. (Ed.) Parr - From here on (Front)

 Martin et al. (Ed.) Parr - From here on (Spine)

Martin et al. (Ed.) Parr - From here on (Spine)

 Martin et al. (Ed.) Parr - From here on (Back)

Martin et al. (Ed.) Parr - From here on (Back)




Sample page 1 for book  Martin et al. (Ed.) Parr – From here on

Sample page 1 for book " Martin et al. (Ed.) Parr – From here on", josefchladek.com

Sample page 2 for book  Martin et al. (Ed.) Parr – From here on

Sample page 2 for book " Martin et al. (Ed.) Parr – From here on", josefchladek.com

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Sample page 3 for book " Martin et al. (Ed.) Parr – From here on", josefchladek.com

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Sample page 4 for book " Martin et al. (Ed.) Parr – From here on", josefchladek.com

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Sample page 11 for book " Martin et al. (Ed.) Parr – From here on", josefchladek.com

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Sample page 19 for book " Martin et al. (Ed.) Parr – From here on", josefchladek.com

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Sample page 23 for book " Martin et al. (Ed.) Parr – From here on", josefchladek.com

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Sample page 24 for book " Martin et al. (Ed.) Parr – From here on", josefchladek.com

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Sample page 25 for book " Martin et al. (Ed.) Parr – From here on", josefchladek.com

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Sample page 26 for book " Martin et al. (Ed.) Parr – From here on", josefchladek.com

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Sample page 27 for book " Martin et al. (Ed.) Parr – From here on", josefchladek.com

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"Now, we’re a species of editors. We all recycle, clip and cut, remix and upload. We can make images do anything. All we need is an eye, a brain, a camera, a phone, a laptop, a scanner, a point of view. And when we’re not editing, we’re making. We’re making more than ever, because our resources are limitless and the possiblities endless.

We have an internet full of inspiration: The profound, the beautiful, the disturbing, the ridiculous, the trivial, the vernacular and the intimate. We have next-to-nothing cameras that record the lightest light, the darkest dark. This technological potential has creative consequences. It changes our sense of what it means to make. It results in work that feels like play, work that turns old into new, elevates the banal

Work that has a past but feels absolutely present. Work that has a past but feels absolutely present. We want to give this work a new status. Things will be different from here on…"

Newsprint, with works by Adrian Sauer, Andreas Schmidt, Aram Bartholl, Claudia Sola, Constant Dullaart, Corinne Vionnet, Cum, David Crawford, Doug Rickard, Ewoudt Boonstra, Frank Schallmaier, Gilbert Hage, Hans Aarsman, Hermann Zschiegner, James Howard, Jenny Odell, Jens Sundheim, John Haddock, Jon Rafman, Josh Poehlein, Kurt Caviezel, Laurence Aëgerter, Marco Bohr, Martin Crawl, Micheal O’Connell a.k.a Mocksim, Mishka Henner, Monica Haller, Nancy Bean, Pavel Maria Smejkal, Penelope Umbrico, Roy Arden, Shion Sono, The Get Out Clause, Thomas Mailaender, Viktoria Binschtok, Willem Popelier.

Pages: n.n.
Place: Rencontres d’Arles
Year: 2011
Publisher: Le Govic
Size: 30 x 42 cm (approx.)