Robert Frank - In America (Front)
Robert Frank - In America (Spine)
Robert Frank - In America (Back)
Sample page 1 for book " Robert Frank – In America", josefchladek.com
Sample page 2 for book " Robert Frank – In America", josefchladek.com
Sample page 3 for book " Robert Frank – In America", josefchladek.com
Sample page 4 for book " Robert Frank – In America", josefchladek.com
Sample page 5 for book " Robert Frank – In America", josefchladek.com
Sample page 6 for book " Robert Frank – In America", josefchladek.com
Sample page 7 for book " Robert Frank – In America", josefchladek.com
Sample page 8 for book " Robert Frank – In America", josefchladek.com
Sample page 9 for book " Robert Frank – In America", josefchladek.com
Sample page 10 for book " Robert Frank – In America", josefchladek.com
Sample page 11 for book " Robert Frank – In America", josefchladek.com
Sample page 12 for book " Robert Frank – In America", josefchladek.com
Sample page 13 for book " Robert Frank – In America", josefchladek.com
Sample page 14 for book " Robert Frank – In America", josefchladek.com
Sample page 15 for book " Robert Frank – In America", josefchladek.com
Sample page 16 for book " Robert Frank – In America", josefchladek.com
Sample page 17 for book " Robert Frank – In America", josefchladek.com
Sample page 18 for book " Robert Frank – In America", josefchladek.com
Sample page 19 for book " Robert Frank – In America", josefchladek.com
Sample page 20 for book " Robert Frank – In America", josefchladek.com
Sample page 21 for book " Robert Frank – In America", josefchladek.com
Hardcover, cloth bound with dust jacket.
Because of the importance of Robert Frank's The Americans; because he turned to filmmaking in 1959, the same year the book appeared in the United States; and because he made very different kinds of pictures when he returned to still photography in the 1970s, most of Frank's American work of the 1950s is poorly known. This book, based on the important Frank collection at the Cantor Arts Center at Stanford University, is the first to focus on that work. Its careful sequence of 131 plates integrates 22 photographs from The Americans with more than 100 unknown or unfamiliar images to chart the major themes and pictorial strategies of Frank's work in the United States in the 1950s. Peter Galassi's text presents a thorough reconsideration of Frank's first photographic career and examines in detail how he used the full range of photography's vital 35mm vocabulary to reclaim the medium's artistic tradition from the hegemony of the magazines.
Pages: 196
Place: Göttingen
Year: 2014
Publisher: Steidl
Size: 24 x 25 cm (approx.)