josef chladek

on photobooks and books

Yusuf Sevincli - Good Dog, Filigranes Éditions, 2012, Paris

 

Hardcover, cloth bound, signed, edition of 1500 copies. Graphic design by Frederic Lezmi, Okay Karadayilar, editorial and design advice by Patrick Le Bescont.

Yusuf Sevincli not seeking unilateral consent or approval of an audience. It merely photographing his environment, his fears andquestions daily, and sees the photograph means to stay connected to the things and beings, a response  response – to the environmentthat surrounds and movements inhabit.
By the quality of his work and thinking around it – both deep and naive  Yusuf gives us a photographic treasure at the same time a great lesson in humility … A breath of fresh air in sclerotic small worldof art today.

"I started at the age of 20 years, during my university years. I was studying journalism and my first contact with photography was done during the course of the history of photojournalism. More than practice, so I was first attracted by the history of photography and its iconic figures, by the sense of their messages and the effort to understand the power of the image. I am now convinced that beyond the style of each photographer or an artist making use of photography should know the history of the latter, in order to understand their capabilities fair value of the medium." (Yusuf Sevincli)

Order at Yusuf's site or at Filigranes.

Pages: 80
Place: Paris
Year: 2012
Publisher: Filigranes Éditions
Size: 22 x 28 cm (approx.)







 Yusuf Sevincli - Good Dog (Front)

Yusuf Sevincli - Good Dog (Front)

 Yusuf Sevincli - Good Dog (Spine)

Yusuf Sevincli - Good Dog (Spine)

 Yusuf Sevincli - Good Dog (Back)

Yusuf Sevincli - Good Dog (Back)




Sample page 1 for book  Yusuf Sevincli – Good Dog

Sample page 1 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 2 for book  Yusuf Sevincli – Good Dog

Sample page 2 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 3 for book  Yusuf Sevincli – Good Dog

Sample page 3 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 4 for book  Yusuf Sevincli – Good Dog

Sample page 4 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 5 for book  Yusuf Sevincli – Good Dog

Sample page 5 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 6 for book  Yusuf Sevincli – Good Dog

Sample page 6 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 7 for book  Yusuf Sevincli – Good Dog

Sample page 7 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 8 for book  Yusuf Sevincli – Good Dog

Sample page 8 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 9 for book  Yusuf Sevincli – Good Dog

Sample page 9 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 10 for book  Yusuf Sevincli – Good Dog

Sample page 10 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 11 for book  Yusuf Sevincli – Good Dog

Sample page 11 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 12 for book  Yusuf Sevincli – Good Dog

Sample page 12 for book " Yusuf Sevincli – Good Dog", josefchladek.com

Sample page 13 for book  Yusuf Sevincli – Good Dog

Sample page 13 for book " Yusuf Sevincli – Good Dog", josefchladek.com

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Hardcover, cloth bound, signed, edition of 1500 copies. Graphic design by Frederic Lezmi, Okay Karadayilar, editorial and design advice by Patrick Le Bescont.

Yusuf Sevincli not seeking unilateral consent or approval of an audience. It merely photographing his environment, his fears andquestions daily, and sees the photograph means to stay connected to the things and beings, a response  response – to the environmentthat surrounds and movements inhabit.
By the quality of his work and thinking around it – both deep and naive  Yusuf gives us a photographic treasure at the same time a great lesson in humility … A breath of fresh air in sclerotic small worldof art today.

"I started at the age of 20 years, during my university years. I was studying journalism and my first contact with photography was done during the course of the history of photojournalism. More than practice, so I was first attracted by the history of photography and its iconic figures, by the sense of their messages and the effort to understand the power of the image. I am now convinced that beyond the style of each photographer or an artist making use of photography should know the history of the latter, in order to understand their capabilities fair value of the medium." (Yusuf Sevincli)

Order at Yusuf's site or at Filigranes.

Pages: 80
Place: Paris
Year: 2012
Publisher: Filigranes Éditions
Size: 22 x 28 cm (approx.)