Nobuyuki Wakabayashi - Oh! Girls Jumping Out - Ah, Tobidashita Onnatachi (アッとびだした女たち 若林のぶゆき), Photo Japan, 1971, Tokyo
Softcover.
“The violent contrast of photographic values and the graphic interplay pushed to excess... are intended to signify that the artist rejects all academicism, and demands complete freedom to destroy the known and to create something totally new. This iconoclastic fury had been initiated in the 1950s by the members of Gutai group, who wanted to move beyond figurative representation, whether realist or symbolic. This fury inspired young moviemakers to film rapidly... in order to seize the rage and energy of the moment, and actors and dancers to turn the street into a stage.” (Bertolotti, on „Adam and Eve“)
Pages: 92
Place: Tokyo
Year: 1971
Publisher: Photo Japan
Size: 21 x 26 cm (approx.)
Nobuyuki Wakabayashi - Oh! Girls Jumping Out - Ah, Tobid...
Nobuyuki Wakabayashi - Oh! Girls Jumping Out - Ah, Tobid...
Nobuyuki Wakabayashi - Oh! Girls Jumping Out - Ah, Tobid...
Sample page 1 for book " Nobuyuki Wakabayashi – Oh! Girls Jumping Out - Ah, Tobidashita Onnatachi (アッとびだした女たち 若林のぶゆき)", josefchladek.com
Sample page 2 for book " Nobuyuki Wakabayashi – Oh! Girls Jumping Out - Ah, Tobidashita Onnatachi (アッとびだした女たち 若林のぶゆき)", josefchladek.com
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Softcover.
“The violent contrast of photographic values and the graphic interplay pushed to excess... are intended to signify that the artist rejects all academicism, and demands complete freedom to destroy the known and to create something totally new. This iconoclastic fury had been initiated in the 1950s by the members of Gutai group, who wanted to move beyond figurative representation, whether realist or symbolic. This fury inspired young moviemakers to film rapidly... in order to seize the rage and energy of the moment, and actors and dancers to turn the street into a stage.” (Bertolotti, on „Adam and Eve“)
Pages: 92
Place: Tokyo
Year: 1971
Publisher: Photo Japan
Size: 21 x 26 cm (approx.)